Remake of the 1956 noir film. Michael Douglas stars as high-profile district attorney Mark Hunter, who in the wake of his professional success has set his sights on the position of governor in the upcoming election. But when ambitious young reporter CJ Nicholas (Jesse Metcalfe) begins investigating rumours that Hunter has been tampering with evidence in order to secure his convictions, the district attorney's seemingly perfect record comes under scrutiny. Just how far is CJ prepared to go for the expose that will make his name? Amber Tamblyn co-stars as Hunter's assistant Ella Crystal.

From 'The Story of O' to 'The Sexual Life of Catherine M.', readers have been enthralled with sexually subversive memoirs by women. But even those erotic classics don't navigate the psychosexual terrain that Toni Bentley covers when she meets a lover who introduces her to a radical and unexpected pleasure. 'Ms Bentley belongs to the tradition of D.H. Lawrence, Norman Mailer, Henry Miller and Anais Nin, which sees sex as an avenue to the mystical and sublime.' New York Times Few women do it, and even fewer will admit to it. But in Toni Bentley's daring and intimate memoir she pulls the sheets back on an erotic experience that has been forbidden since the Bible. 'The Surrender' is a witty, intelligent and eloquent exploration of one woman's obsession that will be sure to leave readers questioning their own desires.

An irresistible inside look at one of the world's great dance companies, Winter Season is also a sensitive, intimate, and almost painfully honest account of the emotional and intellectual development of a young woman dedicated to one of the most demanding of all the arts. Bentley's association with the New York City Ballet began when she was accepted by the affiliated School of American Ballet at the age of eleven. Seven years later, she became a member of the company. In the fall of 1980, as the winter season opened, she found herself facing an emotional crisis: her dancing was not going well. At 22 she felt that her life had lost direction. To try to make something of her experience, on paper if not on stage, she began to keep a journal, describing her day-to-day activities and looking back on her past. The result is perhaps the closest that most of us will ever come to knowing what it feels like to be a dancer, on stage and off. It also offers memorable glimpses of some notable members of the City ballet, with, at the center, the man whose vision they all served--George Balanchine.

The origins of the art of exotic dancing lie in English drama and Viennese opera: Oscar Wilde's 1893 play Salome, and Richard Strauss's 1905 opera based on it, brought onto the stage a female character who captured and dominated the audience with the raw power of her naked body. Her Dance of the Seven Veils shocked and fascinated, and Salome became a pop icon on both sides of the Atlantic. Toni Bentley explores how four influential women embraced the persona of the femme fatale and transformed the misogynist image of a dangerously sexual woman into a form of personal liberation. Toni Bentley danced with George Balanchine's New York City Ballet for ten years. Her books include Winter Season: A Dancer's Journal, Holding On to the Air, Costumes by Karinska, and The Surrender: An Erotic Memoir.

"Absolutely spellbinding: ballerina Farrell's autobiography is the story of someone doing exactly what she wanted in life, and loving every minute of it. Through her work with George Balanchine, it is also the story of one of the greatest artistic collaborations in dance. . . . An uplifting, splendid memoir."--"Kirkus"

"An extraordinarily moving story."--"New York Times Book Review"

"Farrell's story is not only that of a great dancer but of a great star. . . . this book is important. The subject is great, the views of Balanchine are real and unique."--"Washington Post Book World"

Suzanne Farrell, world-renowned ballerina, was one of George Balanchine's most celebrated muses and remains a legendary figure in the ballet world. This memoir, first published in 1990 and reissued with a new preface by the author, recounts Farrell's transformation from a young girl in Ohio dreaming of greatness to the realization of that dream on stages all over the world. Central to this transformation was her relationship with George Balanchine, who invited her to join the New York City Ballet in the fall of 1961 and was in turn inspired by her unique combination of musical, physical, and dramatic gifts. He created masterpieces for her in which the limits of ballet technique were expanded to a degree not seen before. By the time she retired from the stage in 1989, Farrell had achieved a career that is without precedent in the history of ballet. One third of her repertory of more than 100 ballets were composed expressly for her by such notable choreographers as Balanchine, Jerome Robbins, and Maurice Bejart. Farrell recalls professional and personal attachments and their attendant controversies with a down-to-earth frankness and common sense that complements the glories and mysteries of her artistic achievement.

Suzanne Farrell has staged Balanchine's ballets in New York, Boston, Seattle, and Miami and for the Vienna Opera Ballet, the Kirov, and the Bolshoi. She is the subject of an Academy Award nominated documentary, "Suzanne Farrell--Elusive Muse." A professor of dance at Florida State University in Tallahassee, she also teaches a summer ballet course at the Kennedy Center for the Performing Arts in Washington, D.C. In the fall of 2000, the Suzanne Farrell Ballet was launched as an ongoing partnership with the Kennedy Center.